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Bifröst – the Rainbow Bridge

Places & Structures Bifröst, the rainbow bridge to Asgard

Between the world of humans and the world of the gods a bridge of light is stretched: Bifröst, the rainbow. It is the most beautiful structure of the North – and one regarded with unease, too, for it will not last forever.

The name Bifröst (or Bilröst) probably means „the trembling, swaying stretch“ – the bridge quivers under the hooves. It joins Midgard with Asgard. For the Northmen, then, the rainbow was no mere weather-sign but the visible road of the gods.

Fire, Water and Air

Snorri explains the three colour-bands of the rainbow ingeniously: Bifröst is built of three elements, and its red band is blazing fire – it keeps the frost giants from storming the bridge. Whoever is not a god burns as they cross. Only Thor never takes it: he wades through the rivers, so that his thunder-heat does not set the bridge ablaze.

„Very strong is it built, and with art,
yet it will break when Muspell's sons ride.“
— after Snorri's Gylfaginning (sense after Karl Simrock, 1851, public domain)

Heimdall's Watch

At the heavenly end of the bridge, by the fortress Himinbjörg, stands the god Heimdall on watch. He needs less sleep than a bird, sees a hundred miles by day and night and hears the grass grow. He is the warden who guards Bifröst and thereby all of Asgard – and who at Ragnarök blows the Gjallarhorn, whose sound pierces all nine worlds.

Daily the gods ride across Bifröst to their thing (court) at the well of the Norns beneath the world-tree. The bridge is thus not only a border but an everyday road – the place where heaven and earth touch each other each day.

Myth & interpretation & the end. At Ragnarök the fire giants under Surtur ride up – and under their weight Bifröst breaks. The most beautiful structure falls. In that lies the whole gravity of the Norse worldview: even the road between the worlds is transient. At the same time its red fiery edge warns us: here beauty and danger are one. (Note: Bifröst is sometimes also equated with the Milky Way – yet the sources themselves mean the rainbow.)

Laser-engraved slate plaque with a Norse world motif by Glanz & Gravur
The roads and worlds of the North – as a laser-engraved slate plaque. Motifs in the shop →

The bridge between the worlds

Bifröst is in Norse mythology the glowing rainbow bridge that connects the world of humans (Midgard) with the world of the gods (Asgard). It is one of the most beautiful images of all mythology – an arc of fire, air and water.

The guardian Heimdall

The bridge is guarded by the most watchful of all gods: Heimdall, who needs less sleep than a bird, sees a hundred miles far and hears the grass grow. He guards Bifröst against the enemies of the gods – until the last day.

Fire that does not burn

The red colour of the rainbow is, according to Snorri, blazing fire that protects the bridge from the giants. Only the gods may cross it – a path full of beauty and at the same time full of danger.

The breaking at Ragnarök

At the end of the world Bifröst breaks: when the sons of Muspell, the fire giants, ride up to the last battle, the bridge shatters under their weight. The collapse of the rainbow bridge is a sign that the old order ends.

Evidence: Bifröst, Heimdall as guardian and the breaking at Ragnarök are described by the Grímnismál, the Fáfnismál and Snorri (Gylfaginning).
Myth check: Whether Bifröst was originally the rainbow or the Milky Way is disputed. And the exact elaboration ("fire that does not burn") comes above all from Snorri – the Poetic Edda is more concise.
From Aachen, for the North. Bridges, worlds and watchmen – the great images of the North we engrave on slate, wood and glass. Motif plaques among the slate plaques, warm light as a lantern. To the shop.

Read more with us

Heimdall & the Gjallarhorn · Asgard · The nine worlds · Ragnarök · Surtur.

Sources & literature

Poetic Edda: Grímnismál, Fáfnismál. Snorri Sturluson, Prose Edda (Gylfaginning: building, colours, Heimdall's watch, end at Ragnarök), c. 1220. German public-domain translation: Karl Simrock, Die Edda (1851). Scholarship: Rudolf Simek, Dictionary of Northern Mythology; John Lindow, Norse Mythology (2001).

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